| Author |
Title |
Year |
Publication |
Volume  |
Pages |
| Coggins, Owen |
Dirty, soothing, secret magic: individualism and spirituality in New Age and extreme metal music cultures |
2019 |
Popular Music; Cambridge |
38 |
|
| Coggins, Owen |
The Invocation at Tilburg: Mysticism, Implicit Religion and Gravetemple’s Drone Metal |
2015 |
Journal of Implicit Religion |
18 |
209-231 |
| Coggins, Owen |
Citation and Recitation in Mystical Scholarship and Om’s Drone Metal |
2014 |
Diskus, Journal of the British Association for the Study of Religion |
16 |
30-47 |
| Coggins, Owen |
Imaginaries of spirituality, violence and health impacts in metal music: A critical history and case study |
2019 |
Approaches: A Journal of Music Therapy |
11 |
134-149 |
| Coggins, Owen |
Distortion, restriction and instability: Violence against the self in depressive suicidal black metal |
2019 |
Metal Music Studies |
5 |
401-418 |
| Coggins, Owen |
Evil I? Witchfinders and the magical power of ambiguity at stake in doom metal |
2018 |
Metal Music Studies |
4 |
309-328 |
| Coggins, Owen |
Ritual Sacrifice in the Music and Noise of a Metal Festival |
2019 |
Riffs: Experimental Writing on Popular Music Studies |
3 |
85-109 |
| Coggins, Owen |
‘Record store guy’s head explodes and the critic is speechless!’ Questions of genre in drone metal |
2016 |
Metal Music Studies |
2 |
291-309 |
| Coggins, Owen |
Mountains of Silence: Drone Metal Recordings as Mystical Texts |
2013 |
International Journal for the Study of Religion in Society |
2 |
21-32 |
| Coggins, Owen; Harris, James |
Circular scaffold |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
6-9 |
