| |
Author |
Title |
Year |
Publication |
Volume  |
Pages |
Links |
|
|
|
”Marche ou Crève”: The Band Trust and the Singular Case of the Birth of French Heavy Metal |
2018 |
Made in France: studies in popular music |
|
89-104 |
|
|
|
Heritage, Gareth |
Torment[Her] (Misogyny as an Artistic Device): Alternative Perspectives on the Misogynist Aesthetic of W.A.S.P.’s ‘The Rack’ |
2018 |
Subcultures, Bodies and Spaces: Essays on Alternativity and Marginalization |
|
61-80 |
|
|
|
Yavuz, M.Selim |
Reight Mardy Tykes: Northernness, Peaceville Three and Death/Doom Music World |
2018 |
Subcultures, Bodies and Spaces: Essays on Alternativity and Marginalization |
|
81-99 |
|
|
|
Fejes, János |
The Reception of Biblical and Mythological Patterns in the Lyrics of Extreme Metal Music |
2018 |
|
|
|
|
|
|
Shafron, Gavin Ryan |
The Relationship of Intensity of Preference for Heavy Metal Music to Emotional Dysphoria |
2018 |
|
|
|
|
|
|
Trott, Brian |
Faouda Wa Ruina: A History of Moroccan Punk Rock and Heavy Metal |
2018 |
|
|
|
|
|
|
Ritts, Max Jacob; Greening, Spencer |
Gyitwaalkt: A Dialogue on Tsimshian War and Metal |
2018 |
BC Studies; Vancouver |
|
|
|
|
|
Seixas, Luana Cristina |
Metal Extremo: Est??Tica pesada” No Black Metal |
2018 |
|
|
|
|
|
|
Meller, Lauro |
Iron Maiden. A Journey Through History |
2018 |
|
|
|
|
|
|
Brannigan, Paul; Winwood, Ian |
Nacer, crecer, Metallica, morir |
2018 |
|
|
|
|
