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Author  |
Ewing, Jerry; AC/DC(gruppo musicale) |

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Title |
Ac/Dc |
Type |
Book Whole |
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Year |
2013 |
Publication |
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Pages |
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Keywords |
AC/DC (band); Biography |
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Publisher |
24 ORE Cultura |
Place of Publication |
Pero |
Editor |
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Language |
Italian |
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ISBN |
978-88-6648-154-6 |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ ewing_acdc_2013-1 |
Serial |
1549 |
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Author  |
Fellezs, Kevin |

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Title |
Black metal soul music: Stone Vengeance and the aesthetics of race in heavy metal |
Type |
Book Chapter |
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Year |
2013 |
Publication |
Heavy metal: controversies and countercultures |
Abbreviated Journal |
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Volume |
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Issue |
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Pages |
182-200 |
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Keywords |
Black Metal; Race; Aesthetics; Stone Vengeance |
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Publisher |
Equinox |
Place of Publication |
Bristol |
Editor |
Hjelm, Titus; Kahn-Harris, Keith; LeVine, Mark |
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Language |
English |
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ISBN |
978-1-84553-940-5 978-1-84553-941-2 |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ hjelm_black_2013 |
Serial |
318 |
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Author  |
Giosuè, Fabrizio |

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Title |
Folk metal : dalle origini al Ragnarök |
Type |
Book Whole |
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Year |
2013 |
Publication |
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Abbreviated Journal |
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Keywords |
Folk Metal; History (metal music) |
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Publisher |
Edizioni crac |
Place of Publication |
Falconara Marittima |
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ISBN |
978-88-97389-08-8 |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ giosue_folk_2013 |
Serial |
1787 |
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Author  |
Granholm, Kennet |
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Title |
Ritual Black Metal: Popular Music as Occult Mediation and Practice |
Type |
Journal Article |
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Year |
2013 |
Publication |
Correspondences |
Abbreviated Journal |
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Volume |
1 |
Issue |
1 |
Pages |
5-33 |
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Keywords |
Religion; Black Metal; Spirituality |
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Language |
en |
Summary Language |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ granholm_ritual_2013 |
Serial |
438 |
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Author  |
Guibert, Gérôme |

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Title |
Hellfest: The thing that should not be? Local perceptions and Catholic discourses on metal culture in France |
Type |
Book Chapter |
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Year |
2013 |
Publication |
Heavy metal: controversies and countercultures |
Abbreviated Journal |
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Volume |
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Issue |
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Pages |
98-116 |
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Keywords |
France; Religion |
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Publisher |
Equinox |
Place of Publication |
Bristol |
Editor |
Hjelm, Titus; Kahn-Harris, Keith; LeVine, Mark |
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Language |
English |
Summary Language |
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ISBN |
978-1-84553-940-5 978-1-84553-941-2 |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ hjelm_hellfest_2013 |
Serial |
313 |
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Author  |
Harbert, Benjamin J. |

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Title |
Noise and its formless shadows: Egypt’s extreme metal as avant-garde. Nafas Dawsha |
Type |
Book Chapter |
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Year |
2013 |
Publication |
The Arab Avant-Garde: Music, Politics, Modernity |
Abbreviated Journal |
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Volume |
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Issue |
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Pages |
229-272 |
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Keywords |
Extreme Metal; Non-Western scenes; Egypt |
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Publisher |
Wesleyan University Press |
Place of Publication |
Middletown |
Editor |
Burkhalter, Thomas; Dickinson, Kay; Harbert, Benjamin J. |
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Language |
en |
Summary Language |
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Original Title |
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ISBN |
978-0-8195-7387-2 |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ burkhalter_noise_2013 |
Serial |
1112 |
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Author  |
Helden, Imke von |

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Title |
Wikinger sucht Walküre: Zur Darstellung der Wikingerzeit im Heavy Metal |
Type |
Book Chapter |
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Year |
2013 |
Publication |
Geschlecht und Geschichte in populären Medien |
Abbreviated Journal |
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Pages |
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Keywords |
Motifs; Vikings |
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Publisher |
transcript Verlag |
Place of Publication |
Bielefeld |
Editor |
Cheauré, Elisabeth; Paletschek, Sylvia; Reusch, Nina |
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ISBN |
978-3-8394-2373-8 |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ cheaure_wikinger_2013 |
Serial |
323 |
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Author  |
Hesse, Roland |

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Title |
Metal: Musik, Szene und Lebenseinstellung |
Type |
Book Whole |
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Year |
2013 |
Publication |
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Abbreviated Journal |
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Volume |
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Issue |
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Pages |
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Keywords |
Sociology |
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Abstract |
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Publisher |
Literareon |
Place of Publication |
München |
Editor |
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Language |
ger |
Summary Language |
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ISBN |
978-3-8316-1711-1 |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ hesse_metal_2013 |
Serial |
1637 |
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Author  |
Hill, Rosemary Lucy |

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Title |
Representations and Experiences of Women Hard Rock and Metal Fans in the Imaginary Community |
Type |
Book Whole |
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Year |
2013 |
Publication |
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Abbreviated Journal |
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Volume |
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Issue |
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Keywords |
critical discourse analysis; fans; feminism; groupies; hard rock; heavy metal; ideology; imaginary community; Kerrang!; music; semiotics; women |
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Abstract |
This thesis questions dominant representations of women hard rock and metal
fans, and contributes to the undeveloped area of scholarship on women’s
pleasure in music. I address the questions: how does the metal media represent women fans?; what is the impact of that representation?; and what can a consideration of women’s musical pleasure tell us? I work within the fields of popular music, subcultures, gender and metal studies and build upon feminist studies of rock music (e.g., Schippers 2002, Fast 1999 and Wise 1984).
The research sits alongside feminist work exploring the pleasures of metal (Overell 2010, Riches 2011), and Brown’s work on metal media (2007, 2009). A new framework, the imaginary community, allows a consideration of the gendered ideology of the genre and takes into account private modes of fandom. To establish the ideology I examined letters pages in a key hard rock and metal medium, Kerrang! magazine, between 2000-8.
Drawing on Barthes’ Mythologies (1957), I employed a semiotic analysis to expose the representation of women through myths. Using this representation as a comparative tool, I conducted interviews with women fans who liked bands featured in Kerrang!. I analysed the discourses mobilised in their responses to questions about their participation in communal and private activities (e.g. magazine reading, concert attendance); their interpretations of the groupie stereotype; and their preferences for particular bands. I argue that women fans are misrepresented as groupies and this impacts upon women’s ability to express their fandom. Considering women’s pleasure in the music draws out the ways in which women’s fandom challenges both the myth of the woman fan as groupie, and the reading of metal as a masculine genre. I conclude that exploring women’s fandom can provide fresh perspectives on hard rock and metal: we must be prepared to take women’s fandom seriously. (Source: PDF of PhD thesis) |
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Thesis |
Ph.D. thesis |
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Publisher |
University of York |
Place of Publication |
York, England |
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Language |
English |
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PDF |
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Notes |
EthosID: uk.bl.ethos.589184 |
Approved |
no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2605 |
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Author  |
Hjelm, Titus; Kahn-Harris, Keith; LeVine, Mark |

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Title |
Introduction: Heavy metal as controversy and counterculture |
Type |
Book Chapter |
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Year |
2013 |
Publication |
Heavy metal: controversies and countercultures |
Abbreviated Journal |
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Volume |
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Issue |
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Pages |
1-16 |
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Keywords |
Sociology |
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Abstract |
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Publisher |
Equinox |
Place of Publication |
Bristol |
Editor |
Hjelm, Titus; Kahn-Harris, Keith; LeVine, Mark |
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Language |
English |
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ISBN |
978-1-84553-940-5 978-1-84553-941-2 |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ hjelm_introduction_2013 |
Serial |
307 |
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