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Author |
Dairianathan, Eugene |
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Title |
Vedic metal and e-mediated space: a perspective from Singapore |
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Journal Article |
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Year |
2013 |
Publication |
Asian Journal of Communication |
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Volume |
23 |
Issue |
4 |
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348-367 |
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Keywords |
Non-Western scenes; Extreme metal; Singapore; Vedic metal; Rudra (band) |
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0129-2986 |
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UCM - CAM @ amaranta.saguar.garcia @ dairianathan_vedic_2013 |
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1293 |
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Author |
Trafford, Simon |
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Title |
Blood, fire,, death: Bathory and the birth of viking metal |
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Book Chapter |
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Year |
2013 |
Publication |
Gathering of the tribe: music and heavy conscious creation |
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Pages |
302-308 |
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Keywords |
Subgenre; Viking metal; Bathory |
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Headpress |
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London |
Editor |
Goodall, Mark |
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en |
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UCM - CAM @ amaranta.saguar.garcia @ trafford_blood_2013 |
Serial |
141 |
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Author |
Yepes Aguirre, Jimmy Renzo |
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Title |
Política cultural neoliberal y la música heavy metal en la ciudad de Huánuco, Perú, 1990-2010 |
Type |
Journal Article |
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Year |
2013 |
Publication |
Investigaciones Sociales |
Abbreviated Journal |
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Volume |
17 |
Issue |
30 |
Pages |
279-290 |
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Keywords |
Dialectica; politica cultural neoliberal; subculturas; musica heavy metal; Sociology; Latin America; Non-Western scenes; Perú |
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Abstract |
Este estudio estuvo orientado a identificar las bondades que tienen el método hegeliano en los diferentes aspectos de la política y la música con la finalidad de analizar su relación. En tal sentido se planteó los siguientes objetivos: determinar la relación entre la política cultural neoliberal2 y la música heavy metal3, analizar su desarrollo y sus características. Se hizo uso de la encuesta y la entrevista los que se aplicaron a una muestra no probabilística de 30 jóvenes (de 18 a 35 años de edad) metaleros de Huánuco. Se identificó tres generaciones: 1era. Generación de Metaleros 1990-1996 (tesis); 2da. Generación de Metaleros 1997-2003 (antítesis); 3era. Generación de Metaleros 2004-2010 (síntesis). Se evidencia la existencia de una contradicción dialéctica entre la música heavy metal (la cual forma parte de una subcultura) y la cultura dominante en el mundo (en este caso la política cultural neoliberal), ambas evidencian una relación directa no solamente en el aspecto cronológico, sino en el plano ideológico. |
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https://revistasinvestigacion.unmsm.edu.pe/index.php/sociales/issue/view/686 |
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Universidad Nacional Mayor de San Marcos, Facultad de Ciencias Sociales, Instituto de Investigaciones Histórico Sociales |
Place of Publication |
Lima, República del Perú |
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Print: 1560-9073 / Online: 1818-4758 |
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PDF |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2284 |
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Author |
Jousmäki, Henna |
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Title |
Dialogicality and Spiritual Quest in Christian Metal Lyrics |
Type |
Journal Article |
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Year |
2013 |
Publication |
Journal of Religion and Popular Culture; Toronto |
Abbreviated Journal |
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Volume |
25 |
Issue |
2 |
Pages |
273-286 |
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Keywords |
Christian metal |
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English |
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no |
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UCM - CAM @ amaranta.saguar.garcia @ jousmaki_dialogicality_2013 |
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865 |
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Author |
Bukszpan, Daniel |
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Title |
The Art of Brutal Legend |
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Book Whole |
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Year |
2013 |
Publication |
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Pages |
251 |
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Abstract |
<< “Brütal Legend is an action-adventure video game with real-time strategy game elements created by Double Fine and published by Electronic Arts for the PlayStation 3 and Xbox 360.>>
[Source: https://en.wikipedia.org/wiki/Br%C3%BCtal_Legend ]
”Behold the Power of Rock! The Art of Brütal Legend is themonumental collection of metal-themed paintings, drawings, and sketches from thecreative talents of Tim Schafer and the Double Fine Art Team. Lavishlyreproduced artwork is complemented by candid commentary about the vision,inspirations, and black-magic artistry used to bring this fiendish nightmare tolife. With more than 600 pieces of concept art and the complete illustrated loreof the game, The Art of Brütal Legend will melt your face with itssheer awesomeness!"
(SOURCE: https://www.amazon.com/Art-Br%C3%BCtal-Legend-Daniel-Bukszpan/dp/1926778642 ) |
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Udon Entertainment Corp. |
Place of Publication |
Richmond Hill, Ontario, Canada |
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English |
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9781926778648 |
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Hardcover |
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Notes |
Introduction by Scott Campbell; Foreword by Tim Schafer |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2879 |
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Author |
Ortega, Mercedes Iáñez; Salvador Ventura, Francisco José |
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Title |
Satanismo y Heavy metal |
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Book Chapter |
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Year |
2013 |
Publication |
Cine y religiones: expresiones fílmicas de creencias humanas |
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247-266 |
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Keywords |
Satanism |
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spa |
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978-2-9547252-0-8 |
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no |
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UCM - CAM @ amaranta.saguar.garcia @ ortega_satanismo_2013 |
Serial |
1602 |
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Author |
Trunk, Eddie |
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Title |
Eddie Trunk’s Essential Hard Rock and Heavy Metal, Volume ii |
Type |
Book Chapter |
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Year |
2013 |
Publication |
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Pages |
240 |
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Abstract |
<< In the much-anticipated sequel to the bestselling Eddie Trunk's Essential Hard Rock and Heavy Metal, Trunk picks up where he left off by featuring 35 new bands, both legendary and forgotten, and sharing his passion for all things metal.
Complete with his favorite playlists, band discographies, memorabilia, trivia, and more than 200 color photographs, this new book combines brief band histories with Eddie Trunk's unique personal experiences and anecdotes. >>
(SOURCE: https://www.abramsbooks.com/) |
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Harry N. Abrams |
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New York, New York |
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ISBN |
9781419708695 |
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Paperback |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2907 |
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Author |
Harbert, Benjamin J. |
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Title |
Noise and its formless shadows: Egypt’s extreme metal as avant-garde. Nafas Dawsha |
Type |
Book Chapter |
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Year |
2013 |
Publication |
The Arab Avant-Garde: Music, Politics, Modernity |
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Issue |
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Pages |
229-272 |
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Keywords |
Extreme Metal; Non-Western scenes; Egypt |
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Publisher |
Wesleyan University Press |
Place of Publication |
Middletown |
Editor |
Burkhalter, Thomas; Dickinson, Kay; Harbert, Benjamin J. |
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Language |
en |
Summary Language |
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978-0-8195-7387-2 |
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no |
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UCM - CAM @ amaranta.saguar.garcia @ burkhalter_noise_2013 |
Serial |
1112 |
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Author |
Scott, Niall |
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Title |
Heavy metal and the deafening threat of the apolitical |
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Book Chapter |
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Year |
2013 |
Publication |
Heavy metal: controversies and countercultures |
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Pages |
228-243 |
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Keywords |
Politics |
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Publisher |
Equinox |
Place of Publication |
Bristol |
Editor |
Hjelm, Titus; Kahn-Harris, Keith; LeVine, Mark |
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English |
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978-1-84553-940-5 978-1-84553-941-2 |
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no |
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UCM - CAM @ amaranta.saguar.garcia @ hjelm_heavy_2013-1 |
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320 |
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Author |
Baltazar, Lídia Maria Ferrão |
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Title |
Are Heavy Metal Music Bands-Musicians, Managers of Their Own Music Business?: A Multiple Case Study: Portuguese vs. Finnish Bands |
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Book Whole |
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Year |
2013 |
Publication |
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Abbreviated Journal |
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Pages |
216 |
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Keywords |
Heavy Metal Music, Music Industry, Band Management, Entrepreneurship, Artistic Integrity |
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Abstract |
“The Music Industry is a very complex world that embraces different and broad segments needing of academic exploration. The big majority of studies and/or academic approaches to this unique business world have been focusing greatly on the record labels side but have failed to address the role of those who make the music – the musicians/artists. This is exactly what the present study aimed to understand: What is the role of the musicians in the music business? Aren’t they one of the key elements, essential players, within the whole industry, if not the most important elements ever?
The industry of music includes a large number of creative and wise musicians/bands behind one of the most discriminated music genres in the music history – Heavy Metal Music. However, diverse studies have demonstrated that Heavy Metal is recognized as a music genre that generates profit, with an increasing legion of fans all over the world hence, also considered popular music. Therefore, the purpose of this study is to understand how Heavy Metal Music bands and musicians succeed and how they manage to conciliate artistic creativity and commercial demands. By making a multiple case study analysis within two different settings – Portugal versus Finland – it will be shown that Heavy Metal bands / musicians possess business skills that allow them to manage and conduct both the artistic and business activities of their music business. In some of the cases, it will also be raised their entrepreneurial skills in innovating and finding new ways of reaching the audience and becoming more successful whilst doing what they love the most – making music and playing it live.”
(Source: ProQuest Dissertations Publishing)
Ciências Sociais e Humanas (Social Sciences and Humanities). |
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Doctoral thesis |
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Publisher |
Universidade da Beira Interior |
Place of Publication |
Covilhã, Portugal |
Editor |
Anabela Dinis |
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Language |
English |
Summary Language |
Portuguese |
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Notes |
ProQuest order number 28761469 |
Approved |
yes |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2517 |
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