| |
Author |
Title  |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Brown, Andy R. |
A manifesto for metal studies: Or putting the ‘politics of metal’ in its place |
2018 |
Metal Music Studies |
4 |
343-363 |
|
|
|
Brown, Andy R. |
Darker Than Blue, the DPAS and Simon Robinson: Master of the Purple Back Catalogue |
2026 |
Who Do We Think They Are? Deep Purple and Metal Studies |
|
273-304 |
|
|
|
Brown, Andy R. |
Explaining the naming of heavy metal from rock’s ‘Back Pages’: A dialogue with Deena Weinstein |
2015 |
Metal Music Studies |
1 |
233-261 |
|
|
|
Brown, Andy R., Niall W. R. |
From class disgust to indie art-house accolades and fan celebrity: the strange cultural journey of ”Heavy Metal Parking Lot” |
2019 |
Heavy metal at the movies |
|
|
|
|
|
Brown, Andy R.; Spracklen, Karl; Scott, Niall W.R.; Kahn-Harris, Keith (eds) |
Global metal music and culture: current directions in metal studies |
2016 |
|
|
|
|
|
|
Brown, Andy R. |
Heavy Genealogy: Mapping the Currents, Contraflows and Conflicts of the Emergent Field of Metal Studies, 1978-2010 |
2011 |
Journal for Cultural Research |
15 |
213-242 |
|
|
|
Brown, Andy R.; Fellezs, Kevin (eds) |
Heavy metal generations:(re)generating the politics of age, race, and identity in metal music culture |
2012 |
|
|
|
|
|
|
Brown, Andy R. |
Heavy metal justice? Calibrating the economic and aesthetic accreditation of the heavy metal genre in the pages of Rolling Stone 1980‐91: Part one 1980‐85 |
2021 |
Metal Music Studies |
7 |
61-84 |
|
|
|
Brown, Andy R. |
Heavy metal justice?: Calibrating the economic and aesthetic accreditation of the heavy metal genre in the pages of Rolling Stone, 1980‐91: Part two 1986‐91 |
2021 |
Metal Music Studies |
7 |
257-276 |
|
|
|
Brown, Andy R. |
Introduction: A Purple passage or a lasting legacy? |
2026 |
Who Do We Think They Are? Deep Purple and Metal Studies |
|
1-30 |
|
