Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Gardenour Walter, Brenda S. |
Through the Looking Glass Darkly: Medievalism, Satanism, and the Dark Illumination of the Self in the Aesthetics of Black Metal |
2015 |
Helvete: A Journal of Black Metal Theory |
2 |
13-27 |
| Golovin, Aleksandar |
“The Brain Dance”? Exploring the ambivalent relationship between progressive metal and dance practices |
2026 |
Metal Music Studies |
12 |
61-78 |
| Gulgas, Sarah; Hassam, Nedim |
Inviting vampires into the home: MTV aesthetics and the portrayal of youth and heavy metal culture in ”The Lost Boys” and ”Queen of the Damned” |
2019 |
Heavy metal at the movies |
|
|
| Hannan, Calder |
Ghostly longing: Tonality as grieving in Bell Witch’s “Mirror Reaper” |
2021 |
Metal Music Studies |
7 |
277-297 |
| Hecker, Pierre |
Metal und Metal Studies. Zugänge zu einem neuen Forschungsfeld. Nachwort |
2014 |
Methoden der Heavy Metal-Forschung: Interdisziplinäre Zugänge |
|
189-194 |
| Helyar-Cardwell, Tom |
Battle Jackets, Craft And Folk Culture: Research Through Creative Practice |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
138-149 |
| Herbst, Jan-Peter |
Martin Birch – Catalyst: The Pivotal Role of Deep Purple’s Sound Engineer on the Classic Mk2 Albums. |
2026 |
Who Do We Think They Are? Deep Purple and Metal Studies |
|
209-231 |
| Herbst, Jan-Peter |
Culture-specific production and performance characteristics: An interview study with “Teutonic” metal producers |
2021 |
Metal Music Studies |
7 |
445-467 |
| Herbst, Jan-Peter; Mynett, Mark |
Aesthetic Tensions in Metal Production: Genre Expectations, Technological Mediation, and Creative Freedom |
2025 |
Popular Music and Society |
Latest Articles |
|
| Heritage, Gareth |
Accept(ing) the other (Metallic[a]) hypermasculine image: Case studies towards an alternative understanding of hypermasculinity in the aesthetics of 1980s heavy metal |
2016 |
Metal Music Studies |
2 |
57-68 |
