Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Hickman, Brian |
From Shamans To Cyborgs: The Use Of Masks And Shadow In Branding Heavy Metal |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
150-162 |
| Hill, Rosemary; Spracklen, Karl (eds) |
Heavy fundametalisms: music, metal and politics |
2010 |
|
|
|
| Hoffin, Kevin |
Decay as a black metal symbol |
2018 |
Metal Music Studies |
4 |
81-94 |
| Höpflinger, Anna-Katharina |
Religiöse Codes in der Populärkultur: Kleidung der Black Metal-Szene |
2020 |
|
|
|
| Höpflinger, Anna-Katharina |
”Alles im schwarzen Bereich”. Ein kulturwissenschaftlicher Zugang zu Kleidung im Heavy Metal |
2014 |
Methoden der Heavy Metal-Forschung: Interdisziplinäre Zugänge |
|
173-188 |
| Hughes, Mairead |
Is affiliation with alternative subcultures associated with self-harm? |
2017 |
|
|
145 |
| Jiggens, Rebecca; Shadrack, Jasmine Hazel |
Fools Gather ’Round to Watch Me Bleed: Disability, Isolation, and Participation in Metal’s Communities of Aesthetic Practice |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
38-51 |
| Kernchen, Daniel |
Virtuosität als Überlebensstrategie und Publikumsmagnet |
2011 |
”Metal matters”. Heavy Metal als Kultur und Welt |
|
183-194 |
| Kolesnik, Alexandra S. |
Стальные воины: репрезентация машин и техники в британском хеви-метале 1980-х годов [Warriors of Steel: Representations of Machinery and Technology in British Heavy Metal of the 1980s] |
2021 |
Художественная культура |
4 |
362-381 |
| Kosek, Jakub |
Transfigurations of the “Emploi” and Artistic Manifestations of Female (Heavy) Metal Singers |
2021 |
Annales Universitatis Paedagogicae Cracoviensis |
13 |
35-46 |
