| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Herbst, Jan-Peter |
Culture-specific production and performance characteristics: An interview study with “Teutonic” metal producers |
2021 |
Metal Music Studies |
7 |
445-467 |
|
|
|
Swiniartzki, Marco |
Szene-Eliten. Selbststilisierung, soziale Praxis und postmoderne Ästhetisierung am Beispiel des norwegischen Black Metals |
2021 |
Archiv für Sozialgeschichte |
61 |
445-472 |
|
|
|
Cardwell, Tom |
Battle jackets, authenticity and ‘material individuality’ |
2017 |
Metal Music Studies |
3 |
437-458 |
|
|
|
Frandsen, Daniel |
Authentic Heavy Metal And Contextual Aesthetics |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
366-373 |
|
|
|
Kolesnik, Alexandra S. |
Стальные воины: репрезентация машин и техники в британском хеви-метале 1980-х годов [Warriors of Steel: Representations of Machinery and Technology in British Heavy Metal of the 1980s] |
2021 |
Художественная культура |
4 |
362-381 |
|
|
|
Smialek, Eric T. |
Genre and Expression in Extreme Metal Music, Ca. 1990-2015 |
2016 |
|
|
346 |
|
|
|
Richard, Birgit |
”Böse” Mode? |
2015 |
Die Medialität der Mode: Kleidung als kulturelle Praxis. Perspektiven für eine Modewissenschaft |
|
331-344 |
|
|
|
Kummer, Jenna |
‘Lipstick And Leather’: Recontextualizations Of Glam Metal’S Style And Signification |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
328-336 |
|
|
|
Blessin, Joseph R. |
Modalities of the avant-garde: the aesthetic role of light in the parallax of Alexander Scriabin’s opera ”Mysterium” and heavy metal performance |
2010 |
The metal void: first gatherings |
|
301-330 |
|
|
|
Mora-Rioja, Arturo |
“We Are the Dead”: The War Poets, metal music and chaos control |
2021 |
Metal Music Studies |
7 |
299-315 |
|
