| Author |
Title |
Year |
Publication  |
Volume |
Pages |
| Hill, Rosemary; Spracklen, Karl (eds) |
Heavy fundametalisms: music, metal and politics |
2010 |
|
|
|
| Annegg, Florian |
You can’t say it’s a style. It’s who you are.“ The Significance of Merchandise in the Metal Music Scene |
2018 |
|
|
|
| Wisotzki, Katharina; Falke, Sara R. (eds) |
Böse Macht Musik: zur Ästhetik des Bösen in der Musik |
2012 |
|
|
|
| Unger, Matthew Peter |
Aesthetics, Symbols, Metal: Religion and Defilement in a Post-Secular Age |
2013 |
|
|
|
| Kummer, Jenna |
”Lipstick and leather”: Recontextualizations of glam metal’s style and signification |
2016 |
|
|
|
| Trummer, Manuel |
Sympathy for the Devil? Transformationen und Erscheinungsformen der Traditionsfigur Teufel in der Rockmusik |
2011 |
|
|
|
| Coelho, Patrícia |
Batendo cabeças: educação estética e política tecidas a partir do Heavy Metal |
2014 |
|
|
|
| Seixas, Luana Cristina |
Metal Extremo: Est??Tica pesada” No Black Metal |
2018 |
|
|
|
| Smialek, Eric |
Rethinking metal aesthetics: complexity, authenticity, and audience in Meshuggah’s ”I” and ”Catch Thirtythr33.” |
2009 |
|
|
|
| Foschum, Cornelia |
Skandinavischer Black Metal: Geschichte, Thematik, Symbolik und Ästhetik zwischen Satanismus und (Neu)Heidentum |
2014 |
|
|
|
