| |
Author |
Title  |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Miranda Bonilla, Sergio |
“Debajo de los cielos púrpura”: problematizando el metal desde la teología como estética trascendente |
2021 |
Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano |
|
128-136 |
|
|
|
St-Laurent, Méi-Ra |
“It's kind of in the middle”: The “Mid-Fi” Aesthetic: Toward a New Designation of Black Metal Aesthetic of Recording. The Case of the Québec Black Metal Scene |
2019 |
Proceedings of the 12th Art of Record Production Conference: Mono: Stereo: Multi |
|
267-272 |
|
|
|
Mora-Rioja, Arturo |
“We Are the Dead”: The War Poets, metal music and chaos control |
2021 |
Metal Music Studies |
7 |
299-315 |
|
|
|
Friconnet, Guillaume |
A k-means clustering and histogram-based colorimetric analysis of metal album artworks: The colour palette of metal music |
2023 |
Metal Music Studies |
9 |
77-100 |
|
|
|
Stabler, Bert |
A sterile hole and a mask of feces |
2015 |
Helvete: A Journal of Black Metal Theory |
2 |
39-52 |
|
|
|
Heritage, Gareth |
Accept(ing) the other (Metallic[a]) hypermasculine image: Case studies towards an alternative understanding of hypermasculinity in the aesthetics of 1980s heavy metal |
2016 |
Metal Music Studies |
2 |
57-68 |
|
|
|
Unger, Matthew Peter |
Aesthetics, Symbols, Metal: Religion and Defilement in a Post-Secular Age |
2013 |
|
|
|
|
|
|
Seiler, Sascha |
Ästhetische Codierungen als Marketing-Instrument und ihre Brüche: Die Band Kiss und das Ende der 70er Jahre |
2011 |
”Metal matters”. Heavy Metal als Kultur und Welt |
|
125-136 |
|
|
|
Frandsen, Daniel |
Authentic Heavy Metal And Contextual Aesthetics |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
366-373 |
|
|
|
Lesourd, Elodie |
Baptism or death: black metal in contemporary art, birth of a new aesthetic category |
2013 |
Helvete: A Journal of Black Metal Theory |
1 |
29-43 |
|
