| Author |
Title |
Year |
Publication |
Volume  |
Pages |
| Verne, Markus |
Die Grenzen des Kontextualismus: Madagassischer Heavy Metal, ”satanische” Ästhetik und die ethnologische Erforschung populärer Musik |
2012 |
Zeitschrift für Ethnologie |
137 |
187-206 |
| Miller, Jason |
What Makes Heavy Metal “Heavy”? |
2021 |
The Journal of Aesthetics and Art Criticism |
80 |
70-82 |
| Swiniartzki, Marco |
Szene-Eliten. Selbststilisierung, soziale Praxis und postmoderne Ästhetisierung am Beispiel des norwegischen Black Metals |
2021 |
Archiv für Sozialgeschichte |
61 |
445-472 |
| Radovanović Šuput, Bojana |
Estetika ružnoće – zvuk i slika ekstremne metal glazbe [The Aesthetics of Ugliness – The Sound and Image of Extreme Metal Music] |
2025 |
Filozofska istraživanja |
45 |
417-436 |
| Radovanović Šuput, Bojana |
Estetika ružnoće – zvuk i slika ekstremne metal glazbe [Aesthetics of Ugliness – Sound and Image of Extreme Metal Music] |
2025 |
Filozofska Istrazivanja |
45 |
417-436 |
| Van der Velden, Daniel |
Crypto Logo Jihad: Black Metal and the Aesthetics of Evil |
2007 |
Art Papers Magazine |
31 |
36-43 |
| Cordero, Jonathan |
Unveiling Satan’s Wrath: Aesthetics and Ideology in Anti-Christian Heavy Metal |
2009 |
Journal of Religion and Popular Culture; Toronto |
21 |
1-15 |
| Yiren Zhao |
Hermit Aesthetics in Chinese Metal Music: Subcultural Philosophy between Confucianism and DaoismPhilosophy between Confucianism and Daoism |
2024 |
Scenari. Rivista di estetica e metafisica |
21 |
233-254 |
| Friesen, Bruce K.; Epstein, Jonathon S. |
Rock ’n’ roll ain’t noise pollution: Artistic conventions and tensions in the major subgenres of heavy metal music |
1994 |
Popular Music and Society; Bowling Green |
18 |
1 |
| Kosek, Jakub |
Transfigurations of the “Emploi” and Artistic Manifestations of Female (Heavy) Metal Singers |
2021 |
Annales Universitatis Paedagogicae Cracoviensis |
13 |
35-46 |
