Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Belén Calvo, Manuela |
La construcción de la identidad metálica auténcia en la escena argentina |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
245-266 |
| Bremer, Manuel; Cohnitz, Daniel |
Is It Still Metallica? On the Identity of Rock Bands Over Time |
2007 |
Metallica and Philosophy: a crash course in brain surgery |
|
183-196 |
| Carter, Molly |
Perchten and krampusse: living mask traditions in austria and bavaria |
2016 |
|
|
|
| Castillo Bernal, Stephen |
“Posers” y “trues”. Jóvenes, autenticidad y poder en la escena metalera mexicana |
2016 |
Cuicuilco Revista de Ciencias Antropológicas |
23 |
99-126 |
| Coggins, Owen |
Sarcastic Turbulence: Irony, Seriousness, and Ambiguity in Black Metal Music Culture |
2021 |
Isn't it Ironic? Irony in Contemporary Popular Culture |
|
|
| Driver, Christopher |
Embodying hardcore: rethinking ‘subcultural’ authenticities |
2011 |
Journal of Youth Studies |
14 |
975-990 |
| Frandsen, Daniel |
Authentic Heavy Metal And Contextual Aesthetics |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
366-373 |
| Galicia Poblet, Fernando |
Defensores de la fe: autenticidad, identidad y heavy metal en el siglo XXI |
2019 |
Heavy y metal, a través del cristal. Nuevas perspectivas culturales |
|
77-110 |
| Galicia Poblet, Fernando (ed) |
Heavy y metal, a través del cristal. Nuevas perspectivas culturales |
2019 |
|
|
|
| Guzman, Carmen |
Babymetal's “Music in Action”: Redefining Authenticity, Decolonizing Metal, Destabilizing Economy |
2021 |
|
|
|
