| |
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links  |
|
|
Castillo Bernal, Stephen |
“Posers” y “trues”. Jóvenes, autenticidad y poder en la escena metalera mexicana |
2016 |
Cuicuilco Revista de Ciencias Antropológicas |
23 |
99-126 |
|
|
|
Guzman, Carmen |
Babymetal's “Music in Action”: Redefining Authenticity, Decolonizing Metal, Destabilizing Economy |
2021 |
|
|
|
|
|
|
van Doesburg, Eline |
The Rejection and Redemption of Technology in Black Metal |
2023 |
|
|
|
|
|
|
McCombe, John |
Hair Metal And Authenticity In The Twenty-First Century Heavy Metal Canon Wars |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
319-327 |
|
|
|
Frandsen, Daniel |
Authentic Heavy Metal And Contextual Aesthetics |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
366-373 |
|
|
|
Larsson, Susanna |
“I Bang my Head, Therefore I Am”: Constructing Individual and Social Authenticity in the Heavy Metal Subculture |
2013 |
Young |
21 |
95-110 |
|
|
|
Driver, Christopher |
Embodying hardcore: rethinking ‘subcultural’ authenticities |
2011 |
Journal of Youth Studies |
14 |
975-990 |
|
|
|
Mccombe, John |
Authenticity, artifice, ideology: Heavy metal video and MTV’s ‘Second Launch’, 1983–1985 |
2016 |
Metal Music Studies |
2 |
405-411 |
|
|
|
Belén Calvo, Manuela |
La construcción de la identidad metálica auténcia en la escena argentina |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
245-266 |
|
|
|
Coggins, Owen |
Sarcastic Turbulence: Irony, Seriousness, and Ambiguity in Black Metal Music Culture |
2021 |
Isn't it Ironic? Irony in Contemporary Popular Culture |
|
|
|
