| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Dairianathan, Eugene |
The Burden of Song: Vedic Metal in Singapore |
2012 |
Journal of Creative Communications |
7 |
243-260 |
|
|
|
Dairianathan, Eugene |
Soundscapes in Vedic metal: a perspective from Singapore |
2011 |
Perfect Beat |
12 |
167-189 |
|
|
|
Dairianathan, Eugene I. |
Vedic metal and the South Indian community in Singapore: problems and prospects of identity |
2009 |
Inter-Asia Cultural Studies |
10 |
585-608 |
|
|
|
Dawes, Laina |
“Freedom Ain’t Free:” Race and Representation(s) in Extreme Heavy Metal |
2022 |
|
|
|
|
|
|
Domergue, Benoît |
La musique extrême: un écho surgi des abîmes : culture barock et gothic flamboyant |
2004 |
|
|
|
|
|
|
dos Passos, Cristiano |
O metal extremo e a questão dos gêneros: a zona cinza e o princípio de contaminação |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
111-134 |
|
|
|
Fejes, János |
The Reception of Biblical and Mythological Patterns in the Lyrics of Extreme Metal Music |
2018 |
|
|
|
|
|
|
Fejes, János |
Strangers of Popular Culture – The Verbal and Pictorial Aesthetics of Mythological Metal Music |
2017 |
Acta Universitatis Sapientiae, Communicatio |
4 |
37-60 |
|
|
|
Ferris, Ángel; Fontanet, Núria |
Pasaporte al infierno: un viaje sin retorno a la naturaleza de la bestia |
2007 |
|
|
|
|
|
|
Franco, Edgar |
Projeto musical Ciberpajé: processos criativos de 3 EP’s pandêmicos |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
135-155 |
|
