| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Phillipov, Michelle; Olson, Benjamin Hedge |
Extreme music for extreme people? Norwegian black metal and transcendent violence |
2013 |
Heavy metal: controversies and countercultures |
|
152-165 |
|
|
|
Radovanović, Bojana |
Extreme Sound, “Extreme” Lifestyle? Investigating Cattle Decapitation’s Stance on the Human Impact on the Environment and Animal Rights |
2021 |
Studia Polensia |
10 |
43-58 |
|
|
|
Radovanović, Bojana |
Ideologies and Discourses: Extreme Narratives in Extreme Metal Music |
2016 |
AM Journal of Art and Media Studies |
10 |
51-58 |
|
|
|
Rapatskaya, Yanina Olegovna |
“ТРАДИЦИОННАЯ РУССКАЯ ДРАМА”: ПРАКТИКИ САМОРЕПРЕЗЕНТАЦИИ РОССИЙСКИХ ЭКСТРИМ-МЕТАЛ ГРУПП НА ПРИМЕРЕ SECOND TO SUN И L'HOMME ABSURDE [“Traditional Russian Drama”: Practices of self-representation of Russian extreme metal bands on the example of Second to Sun and L'Homme Absurde] |
2022 |
Артикульт [Articult] |
2 |
44-66 |
|
|
|
Riches, Gabby |
Sensuous Entanglements, Assemblages And Convergences: Extreme Metal Scenes As ‘Sensory Communities’ |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
265-273 |
|
|
|
Riches, Gabrielle |
Embracing the Chaos: Mosh Pits, Extreme Metal Music and Liminality |
2011 |
Journal for Cultural Research |
15 |
315-332 |
|
|
|
Riches, Gabrielle; Lashua, Brett; Spracklen, Karl |
Female, Mosher, Transgressor: A ’Moshography’ of Transgressive Practices within the Leeds Extreme Metal Scene |
2013 |
IASPM Journal |
4 |
87-100 |
|
|
|
Rodríguez-Hernández, Saúl Mauricio |
”In the Name of Satan”: Violence, Extreme Metal and Young People in Colombia in the ’80s and ’90s |
2015 |
Music at the Extremes: Essays on Sounds Outside the Mainstream |
|
143-156 |
|
|
|
Rubio, Salva |
Metal viejo: «lentamente nos pudrimos», o metal extremo y senectud |
2019 |
Heavy y metal, a través del cristal. Nuevas perspectivas culturales |
|
155-182 |
|
|
|
Rubio, Salva |
Metal extremo 2: crónicas del abismo (2011-2016) |
2016 |
|
|
|
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