| |
Author |
Title  |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Nenadalová, Jana; Menšíková, Tereza |
“Metal Studies in Central/Eastern Europe: 1st (online) Workshop” on Extreme Music and its Academic Studies |
2022 |
Religio: Revue pro religionistiku |
30 |
77-80 |
|
|
|
Kahn-Harris, Keith |
“Roots”? the relationship between the global and the local within the Extreme Metal scene |
2006 |
The popular music studies reader |
|
128-134 |
|
|
|
Mora-Rioja, Arturo |
“We Are the Dead”: The War Poets, metal music and chaos control |
2021 |
Metal Music Studies |
7 |
299-315 |
|
|
|
Rapatskaya, Yanina Olegovna |
“ТРАДИЦИОННАЯ РУССКАЯ ДРАМА”: ПРАКТИКИ САМОРЕПРЕЗЕНТАЦИИ РОССИЙСКИХ ЭКСТРИМ-МЕТАЛ ГРУПП НА ПРИМЕРЕ SECOND TO SUN И L'HOMME ABSURDE [“Traditional Russian Drama”: Practices of self-representation of Russian extreme metal bands on the example of Second to Sun and L'Homme Absurde] |
2022 |
Артикульт [Articult] |
2 |
44-66 |
|
|
|
Souza, Renan Marchesini de Quadros |
A performance dialógica da música extrema |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
298-313 |
|
|
|
Overell, Rosemary |
Affective intensities in extreme music scenes: cases from Australia and Japan |
2014 |
|
|
|
|
|
|
Kahn-Harris, Keith |
An Orphaned Land? Israel and the Global Extreme Metal Scene |
1999 |
New voices in Jewish thought. Vol. 2 Vol. 2 |
|
1-21 |
|
|
|
Walzer, Nicolas |
Anthropologie Du Metal Extreme |
2007 |
|
|
|
|
|
|
González Hernández, José Omar |
Appropriating the extreme: Interculturality and the decolonization of the image in extreme metal in México and Colombia |
2021 |
Metal Music Studies |
7 |
119-128 |
|
|
|
Burkhardt, Guga |
Arte extrema para olhos atentos |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
187-202 |
|
