| |
Author |
Title  |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Herbst, Jan-Peter |
“Keeper of the Seven Keys”: Audio heritage in metal music production |
2022 |
Metal Music Studies |
8 |
109-126 |
|
|
|
Herbst, Jan-Peter |
(No?) Adventures in Recording Land: Engineering Conventions in Metal Music |
2021 |
Rock Music Studies |
t.b.c. |
|
|
|
|
Klypchak, Brad |
Another thing coming: nostalgia and kitsch in mass cultural manifestations of ”metal” |
2017 |
Connecting metal to culture: unity in disparity |
|
|
|
|
|
Baltazar, Lídia Maria Ferrão |
Are Heavy Metal Music Bands-Musicians, Managers of Their Own Music Business?: A Multiple Case Study: Portuguese vs. Finnish Bands |
2013 |
|
|
216 |
|
|
|
Waksman, Steve |
Arenas of the imagination: global tours and the heavy metal concert in the 1970s |
2011 |
Metal rules the globe: heavy metal music around the world |
|
227-246 |
|
|
|
Seiler, Sascha |
Ästhetische Codierungen als Marketing-Instrument und ihre Brüche: Die Band Kiss und das Ende der 70er Jahre |
2011 |
”Metal matters”. Heavy Metal als Kultur und Welt |
|
125-136 |
|
|
|
Mccombe, John |
Authenticity, artifice, ideology: Heavy metal video and MTV’s ‘Second Launch’, 1983–1985 |
2016 |
Metal Music Studies |
2 |
405-411 |
|
|
|
Guzman, Carmen |
Babymetal's “Music in Action”: Redefining Authenticity, Decolonizing Metal, Destabilizing Economy |
2021 |
|
|
|
|
|
|
Podoshen, Jeffrey S. |
Constructing black metal mythology for global monopoly: #ittakescourage |
2018 |
Metal Music Studies |
4 |
375-380 |
|
|
|
Lehmann, Marco; Kopiez, Reinhard |
Der Einfluss der Bühnenshow auf die Bewertung der Performanz von Rockgitarristen |
2011 |
”Metal matters”. Heavy Metal als Kultur und Welt |
|
183-194 |
|
