| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Friesen, Bruce K.; Epstein, Jonathon S. |
Rock ’n’ roll ain’t noise pollution: Artistic conventions and tensions in the major subgenres of heavy metal music |
1994 |
Popular Music and Society; Bowling Green |
18 |
1 |
|
|
|
Galicia Poblet, Fernando (ed) |
Heavy y metal, a través del cristal. Nuevas perspectivas culturales |
2019 |
|
|
|
|
|
|
Gamble, Steven |
Breaking down the breakdown in twenty-first-century metal |
2019 |
Metal Music Studies |
5 |
337-354 |
|
|
|
García-Peinazo, Diego |
Héroes frigios, nación y distorsión. La batalla por la supertónica descendida como signo musical en el metal español |
2019 |
Cuadernos de Música Iberoamericana |
32 |
137-157 |
|
|
|
García-Peinazo, Diego |
Flamenco Metal, mundos de género y transfonografía |
2019 |
Heavy y metal, a través del cristal. Nuevas perspectivas culturales |
|
133-154 |
|
|
|
Garza, Jose M. |
Transcending Time (Feels): Riff Types, Timekeeping Cymbals, and Time Feels in Contemporary Metal Music |
2021 |
Music Theory Online |
27 |
n.p. |
|
|
|
Geliebter, David; Ziegler, Ari J.; Mandery, Evan |
Lyrical stresses of heavy metal and rap |
2014 |
Metal Music Studies |
1 |
143-153 |
|
|
|
Gibson, Dylan Lawrence |
Postmodernism in Lou Reed and Metallica’s collaborative album ”Lulu” : The subjective perception of ”highbrow” and ”lowbrow” |
2019 |
Metal Music Studies |
5 |
187-200 |
|
|
|
González, Olga T. |
We Came and Conquered: The Complexities of Viking Metal Music and Culture |
2019 |
|
|
|
|
|
|
Greene, Paul |
Mixed messages: unsettled cosmopolitanisms in Nepali pop |
2001 |
Popular Music |
20 |
169-187 |
|
