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Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Mynett, Mark |
Defining contemporary metal music: Performance, sounds and practices |
2019 |
Metal Music Studies |
5 |
297-313 |
|
|
|
Petrovic, Paul |
Beyond ‘forms of aggression’: teaching extreme metal in the composition classroom |
2017 |
Connecting metal to culture: unity in disparity |
|
|
|
|
|
Phillipov, Michelle |
Death Metal and Music Criticism: Analysis at the Limits |
2012 |
|
|
|
|
|
|
Pieslak, Jonathan |
Sound Targets: American Soldiers and Music in the Iraq War |
2009 |
|
|
|
|
|
|
Pieslak, Jonathan |
Sound, text and identity in Korn’s ’Hey Daddy’ |
2008 |
Popular Music |
27 |
35-52 |
|
|
|
Pieslak, Jonathan |
Re-casting Metal: Rhythm and Meter in the Music of Meshuggah |
2007 |
Music Theory Spectrum; Oxford |
29 |
219-223,225 |
|
|
|
Pieslak, Jonathan R. |
Sound Targets: Music and the War in Iraq |
2007 |
Journal of Musicological Research |
26 |
123-149 |
|
|
|
Pillsbury, Gleen T. |
Metal, Rock, and Jazz: Perception and the Phenomenology of Musical Experience |
2000 |
Popular Music and Society |
24 |
125-128 |
|
|
|
Puri, Samir |
The Trooper or the Sandman? Iron Maiden’s conservatism versus Metallica’s experimentalism in their philosophies towards musical creativity |
2014 |
Metal Music Studies |
1 |
69-85 |
|
|
|
Rachau, Sebastian |
Im Feld des Heavy Metal: vier deutsche Bands |
2014 |
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