Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Zuleta Rodríguez, Julio Estuardo |
GUERRA Y METAL. UN ANÁLISIS HISTÓRICO DE LA CENSURA Y LA VIOLENCIA EN CONTRA DEL METAL EN EL DEPARTAMENTO DE QUICHÉ, GUATEMALA |
2022 |
Metal de Habla Hispana |
1 |
56-59 |
| Zintel, Jan |
Musikalische Selbstsozialisation Jugendlicher im Heavy Metal |
2015 |
|
|
|
| Zheng, Yu |
”The screaming successor”: Exploring the Chinese metal scene in contemporary Chinese society (1996-2015) |
2016 |
|
|
|
| Zaddach, Wolf-Georg |
Heavy Metal in der DDR: Szene, Akteure, Praktiken |
2018 |
|
|
|
| Zaddach, Wolf-Georg |
»30 Jahre Ride The Lightning: So klingt unsere Tribute-CD«: Zur diskursiven Praxis des Erinnerns in der Kulturwelt Heavy und Extreme Metal |
2014 |
Lied und Populäre Kultur; Münster |
59 |
227-241,293 |
| Zaddach, Wolf-Georg |
“Dit is Berlin”: Local metal scene building and transformation in Berlin, Germany |
2021 |
Living Metal: Metal Scenes around the World |
|
|
| Yusof, Azmyl; Johan, Adil |
“Somewhere They Belong”: Metal, Ethnicity, and Scenic Solidarities in Malaysia’s Underground Scenes (1990s to 2000s) |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
259-280 |
| Yepes Aguirre, Jimmy Renzo |
Política cultural neoliberal y la música heavy metal en la ciudad de Huánuco, Perú, 1990-2010 |
2013 |
Investigaciones Sociales |
17 |
279-290 |
| Wong, Cynthia P. |
”A dream return to Tang Dynasty”: masculinity, male camaraderie, and Chinese heavy metal in the 1990s |
2011 |
Metal rules the globe: heavy metal music around the world |
|
63-85 |
| Winnerling, Tobias |
”The same song and dance”. Kollektiver Individualismus und das Heavy Metal Universe |
2011 |
”Metal matters”. Heavy Metal als Kultur und Welt |
|
457-476 |
