Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Alberola, Jérôme |
Les belles et les bêtes : anthologie du rock au féminin, de la soul au metal |
2012 |
|
|
|
| Bona, Michelle |
Vulgar discourses of power: the discursive construction of ideal heavy metal subjectivity and the erasure of black, indigenous, and women of colour in heavy metal music culture |
2021 |
|
|
|
| dos Santos Silva, Melina Aparecida; Medeiros, Beatriz |
“This gave me a Mastodong”: A decolonial analysis of the Black twerking dancers in Mastodon’s The Motherload music video |
|
European Journal of Cultural Studies |
OnlineFirst |
|
| Farías Álvarez, Ilse; Calderón Orellana, Majo |
MINORÍAS EN EL METAL CHILENO. LETRAS DE RESISTENCIA Y MUJERES AL EXTREMO |
2022 |
Metal de Habla Hispana |
1 |
85-92 |
| González-Martínez, Susana |
An Exegesis of Excess: Reverberations and Connotations of Feminisms Cartographed via Metal Music in the Global South |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
33-66 |
| Herron-Wheeler, Addison |
Wicked woman: women in metal from the 1960s to now |
2014 |
|
|
|
| Kjellander Hellqvist, Eva |
”Girls just wanna be fans” – om kvinnligt fanskap [“Girls just wanna be fans” – about female fandom] |
2023 |
HumaNetten |
50 |
76-91 |
| McLaughlin, Adria Ryan |
Navigating Gender Inequality in Musical Subgenres |
2015 |
|
|
52 |
| Pikri, Zainal; Muthmainnah, Inna |
Perdebatan Kontemporer tentang Islam, Gender dan Musik: Analisis Wacana atas Band Hijabi Metal VOB (Voice of Baceprot) [Contemporary Debates on Islam, Gender and Music: Discourse Analysis of the Hijabi Metal Band VOB (Voice of Baceprot)] |
2022 |
|
|
|
