Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Ables, Mollie |
Wild Side: Self-Styling and the Aesthetics of Metal in the Music Videos of Mötley Crüe |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
99-108 |
| Bellemare, Luc |
Relocating Violence in Thrash Metal Lyrics: The Tori Amos Cover of Slayer’s Raining Blood |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
193-208 |
| Brown, Andy R. |
”Girls like metal, too!” Female reader’s engagement with the masculinist culture of the tabloid metal magazine |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
163-181 |
| Chaker, Sarah |
What is ‘male’ about black and death metal music? An empirical approach |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
147-162 |
| Chaker, Sarah; Heesch, Florian |
Female Metal Singers: A Panel Discussion with Sabina Classen, Britta Görtz, Angela Gossow and Doro Pesch |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
133-146 |
| Clifford-Napoleone, Amber R. |
Metal, Masculinity, and the Queer Subject |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
39-54 |
| Custodis, Michael |
Living History: The Guitar Virtuoso and Composer Steve Vai |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
55-70 |
| Elflein, Dietmar |
”Never say die!” Ozzy Osbourne as a male role model |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
71-83 |
| Erbe, Marcus |
”This isn’t over ‘til I say it’s over!” Narratives of Male Frustration in Deathcore and Beyond |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
182-192 |
| Gerk, Sarah |
Placing Gender: Alice Cooper’s Motor City Move |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
84-98 |
