| |
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links  |
|
|
|
Heavy metal |
1999 |
|
|
|
|
|
|
Tsitsos, William |
Rules of Rebellion: Slamdancing, Moshing, and the American Alternative Scene |
1999 |
Popular Music |
18 |
397-414 |
|
|
|
Berger, Harris M. |
Death metal tonality and the act of listening |
1999 |
Popular Music |
18 |
161-178 |
|
|
|
Richter, Stacey |
Goal 666 |
1999 |
Granta |
66 |
147-161 |
|
|
|
Ahlkvist, Jari A. |
Music and cultural analysis in the classroom: Introducing sociology through heavy metal |
1999 |
Teaching Sociology; Beverly Hills |
27 |
126 |
|
|
|
Burns, Gary |
Marilyn Manson and the apt pupils of Littleton |
1999 |
Popular Music and Society |
23 |
3-8 |
|
|
|
Ballard, Mary E.; Dodson, Alan R.; Bazzini, Doris G. |
Genre of Music and Lyrical Content: Expectation Effects |
1999 |
The Journal of Genetic Psychology |
160 |
476-487 |
|
|
|
Vestel, Viggo |
Breakdance, red eyed penguins, Vikings, grunge and straight rock’n’roll: The construction of place in musical discourse in Rudenga, east side Oslo |
1999 |
Young |
7 |
4-24 |
|
|
|
Wall, Mick |
Devil music: the true story of Ozzy and Sabbath |
1999 |
|
|
|
|
|
|
Wall, Mick |
Paranoid: black days with Sabbath & other horror stories |
1999 |
|
|
|
|
