Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Ambrose, Joe |
Moshpit : the violent world of mosh pit culture |
2001 |
|
|
|
| Avelar, Idelber |
Defeated Rallies, Mournful Anthems, and the origins of Brazilian Heavy Metal |
2001 |
Brazilian Popular Music & Globalization |
|
123-135 |
| Becker, Tobias |
Die Musikrichtung Heavy Metal. Entstehung und Arten am Beispiel von Bands |
2001 |
|
|
|
| Cunningham, Cedric |
La legione nera: black metal e rock ”satanico” |
2001 |
|
|
|
| Frölich, Tamás |
Hard rock & Heavy metal enciklopédia |
2001 |
|
|
|
| González, Eric |
Le groupe de Heavy Metal afro-américain Living Colour : entre crossover, hybridation et transgression |
2001 |
Cercles |
3 |
20-34 |
| Greene, Paul |
Mixed messages: unsettled cosmopolitanisms in Nepali pop |
2001 |
Popular Music |
20 |
169-187 |
| Guilbert, George-Claude |
Métapop ludique ou rock satanique ? |
2001 |
Cercles |
3 |
35-48 |
| Hansen, Petter |
Fra gravstøtte til statsstøtte : en kultursosiologisk studie av black metal |
2001 |
|
|
|
| Kahn-Harris, Keith |
Transgression and mundanity: the global extreme metal music scene |
2001 |
|
|
|
