| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Senra, Flavio Pereira |
Visões do sujeito pós-moderno na música pesada contemporânea – sujeito e objeto: uma relação de amor e ódio.. |
2009 |
Raído |
3 |
153-165 |
|
|
|
Smialek, Eric |
Rethinking metal aesthetics: complexity, authenticity, and audience in Meshuggah’s ”I” and ”Catch Thirtythr33.” |
2009 |
|
|
|
|
|
|
Smith, Gregory Vance |
Rhetorics of fear, deployment of identity, and metal music cultures |
2009 |
|
|
|
|
|
|
Strauss, Neil; Mötley Crüe |
The dirt: est. 1980 : 200% hangerő |
2009 |
|
|
|
|
|
|
Szpajdel, Christophe; Klanten, Robert; Hellige, Hendrik |
Lord of the Logos: Designing the Metal Underground |
2009 |
|
|
|
|
|
|
Tarazona Elvino, Luis Manuel |
Características de la Identidad de Jóvenes que se reúnen entorno a la música Rock – Metal en la ciudad de Huancayo |
2009 |
|
|
150 |
|
|
|
Taylor, Laura Wiebe |
Images of human-wrought despair and destruction: social critique in Briitish apocalyptic and dystopian metal |
2009 |
Heavy metal music in Britain |
|
89-110 |
|
|
|
Tompkins, Joseph |
What’s the Deal with Soundtrack Albums? Metal Music and the Customized Aesthetics of Contemporary Horror |
2009 |
Cinema Journal; Lawrence |
49 |
65-81 |
|
|
|
Waksman, Steve |
This ain’t the summer of love: conflict and crossover in heavy metal and punk |
2009 |
|
|
|
|
|
|
Weinstein, Deena |
The empowering masculinity of British heavy metal |
2009 |
Heavy metal music in Britain |
|
17-32 |
|
