| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Larsson, Susanna |
“I Bang my Head, Therefore I Am”: Constructing Individual and Social Authenticity in the Heavy Metal Subculture |
2013 |
Young |
21 |
95-110 |
|
|
|
Laurin, Hélène |
Triumph of the maggots? Valorization of metal in the rock press |
2013 |
Heavy metal: controversies and countercultures |
|
50-65 |
|
|
|
Lemonnier, Jean-Michel |
Musique métal et satanisme : un mouvement culturel entre ténèbres et lumières |
2013 |
|
|
|
|
|
|
Lesourd, Elodie |
Baptism or death: black metal in contemporary art, birth of a new aesthetic category |
2013 |
Helvete: A Journal of Black Metal Theory |
1 |
29-43 |
|
|
|
Littlejohn, John T. |
Rammstein on fire : new perspectives on the music and performances |
2013 |
|
|
|
|
|
|
Lukes, Daniel |
Black metal machine: theorizing industrial black metal |
2013 |
Helvete: A Journal of Black Metal Theory |
1 |
69-94 |
|
|
|
Lusty, Heather L. |
Rocking the Canon: Heavy metal and Classical Literature |
2013 |
Latch |
6 |
101-138 |
|
|
|
Magallón Martínez, Roberto Carlos |
Fábrica de ”Metalheads”: arquetipo de la representación del aficionado al Heavy Metal en España |
2013 |
|
|
|
|
|
|
Maspero, Davide; Ribaric, Max |
Come lupi tra le pecore: storia e ideologia del black metal nazionalsocialista |
2013 |
|
|
|
|
|
|
McCandless, Gregory R. |
Metal as a Gradual Process: Additive Rhythmic Structures in the Music of Dream Theater |
2013 |
Music Theory Online |
19 |
|
|
