| |
Author |
Title |
Year |
Publication  |
Volume |
Pages |
Links |
|
|
Puchalska, Joanna |
Open Valhalla’s door! : Wikingowie i heavy metal |
2013 |
Maska |
|
112-124 |
|
|
|
Pierry, Michael |
The LCC Number of the Beast: A Guide to Metal Musk and Resources for Librarians |
2013 |
Music Reference Services Quarterly |
16 |
141-159 |
|
|
|
McCandless, Gregory R. |
Metal as a Gradual Process: Additive Rhythmic Structures in the Music of Dream Theater |
2013 |
Music Theory Online |
19 |
|
|
|
|
Weinstein, Deena |
Metallica’s Kills |
2013 |
Please Allow Me to Introduce Myself: Essays on Debut Albums |
|
|
|
|
|
Weinstein, Deena |
Pagan metal |
2013 |
Pop Pagans: Paganism and Popular Music |
|
58-75 |
|
|
|
Hoad, Catherine |
’Hold the Heathen Hammer High’ Viking metal from the local to the global |
2013 |
Shifting Sounds: Musical Flow: A Collection of Papers from the 2012 IASPM Australia/New Zealand Conference. |
|
62-70 |
|
|
|
Umurhan, Osman |
Heavy Metal Music and the Appropriation of Greece and Rome |
2013 |
Syllecta Classica |
23 |
127-152 |
|
|
|
Harbert, Benjamin J. |
Noise and its formless shadows: Egypt’s extreme metal as avant-garde. Nafas Dawsha |
2013 |
The Arab Avant-Garde: Music, Politics, Modernity |
|
229-272 |
|
|
|
Senra, Flavio Pereira |
“Amanhã nunca mais!”: o niilismo e o heavy metal no contexto pós-moderno |
2013 |
Via Litterae |
5 |
|
|
|
|
Larsson, Susanna |
“I Bang my Head, Therefore I Am”: Constructing Individual and Social Authenticity in the Heavy Metal Subculture |
2013 |
Young |
21 |
95-110 |
|
