| |
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links  |
|
|
Cotterell, Joel |
This is Armageddon: the dawn motif and black metal’s anti-Christian project |
2013 |
Helvete: A Journal of Black Metal Theory |
1 |
95-101 |
|
|
|
McCandless, Gregory R. |
Metal as a Gradual Process: Additive Rhythmic Structures in the Music of Dream Theater |
2013 |
Music Theory Online |
19 |
|
|
|
|
Unger, Matthew Peter |
Aesthetics, Symbols, Metal: Religion and Defilement in a Post-Secular Age |
2013 |
|
|
|
|
|
|
St-Laurent, Méi-Ra |
Quand Le Metal Flirte Avec Abba: Analyse Des Transformations Formelles Et Thématiques De « Summer Night City” |
2013 |
Intersections: Canadian Journal of Music |
34 |
135-151,232 |
|
|
|
Cope, Andrew L. |
Black Sabbath. L’essor de la musique Heavy Metal |
2013 |
|
|
|
|
|
|
Olson, Benjamin Hedge |
Voice of our blood National Socialist discourses in black metal |
2013 |
Heavy metal: controversies and countercultures |
|
136-151 |
|
|
|
Phillipov, Michelle; Olson, Benjamin Hedge |
Extreme music for extreme people? Norwegian black metal and transcendent violence |
2013 |
Heavy metal: controversies and countercultures |
|
152-165 |
|
|
|
Hoad, Catherine |
’Hold the Heathen Hammer High’ Viking metal from the local to the global |
2013 |
Shifting Sounds: Musical Flow: A Collection of Papers from the 2012 IASPM Australia/New Zealand Conference. |
|
62-70 |
|
|
|
Woodward, Ben; Ishmael, Amelia; Stephanou(ed.), Aspasia; Price, Zareen (eds) |
Helvete: A Journal of Black Metal Theory. Issue 1: Incipit |
2013 |
|
|
|
|
|
|
Granholm, Kennet |
Ritual Black Metal: Popular Music as Occult Mediation and Practice |
2013 |
Correspondences |
1 |
5-33 |
|
