| |
Author |
Title |
Year  |
Publication |
Volume |
Pages |
Links |
|
|
Cope, Andrew L. |
Black Sabbath. L’essor de la musique Heavy Metal |
2013 |
|
|
|
|
|
|
Puchalska, Joanna |
Open Valhalla’s door! : Wikingowie i heavy metal |
2013 |
Maska |
|
112-124 |
|
|
|
Strother, Eric |
Unlocking the Paradox of Christian Metal Music |
2013 |
|
|
|
|
|
|
Hoad, Catherine |
’Hold the Heathen Hammer High’ Viking metal from the local to the global |
2013 |
Shifting Sounds: Musical Flow: A Collection of Papers from the 2012 IASPM Australia/New Zealand Conference. |
|
62-70 |
|
|
|
Woodward, Ben; Ishmael, Amelia; Stephanou(ed.), Aspasia; Price, Zareen (eds) |
Helvete: A Journal of Black Metal Theory. Issue 1: Incipit |
2013 |
|
|
|
|
|
|
Granholm, Kennet |
Ritual Black Metal: Popular Music as Occult Mediation and Practice |
2013 |
Correspondences |
1 |
5-33 |
|
|
|
Cotterell, Joel |
This is Armageddon: the dawn motif and black metal’s anti-Christian project |
2013 |
Helvete: A Journal of Black Metal Theory |
1 |
95-101 |
|
|
|
Lukes, Daniel |
Black metal machine: theorizing industrial black metal |
2013 |
Helvete: A Journal of Black Metal Theory |
1 |
69-94 |
|
|
|
Prescott-Steed, David |
Frostbite on my feet: representations of walking in black metal visual culture |
2013 |
Helvete: A Journal of Black Metal Theory |
1 |
45-68 |
|
|
|
Ishmael, Amelia |
The night is no longer dead; it has a life of its own |
2013 |
Helvete: A Journal of Black Metal Theory |
1 |
n.-p. |
|
