| |
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links  |
|
|
St-Laurent, Méi-Ra; Smialek, Eric |
Unending Eruptions: White-Collar Metal Appropriations of Classical Complexity, Experimentation, Elitism, and Cultural Legitimization |
2018 |
The Routledge Companion to Popular Music Analysis: Expanding Approaches |
|
378-399 |
|
|
|
Guibert, Gérôme |
Marche ou crève: The band Trust and the singular case of the birth of French heavy metal |
2018 |
Made in France: Studies in Popular Music |
|
296 |
|
|
|
Vanek, Gabrielle |
Classical idiom and compositional structure in Gorguts’s Pleiades’ Dust |
2018 |
Metal Music Studies |
4 |
573-583 |
|
|
|
DeHart, Cameron |
Metal by numbers: Revisiting the uneven distribution of heavy metal music |
2018 |
Metal Music Studies |
4 |
559-571 |
|
|
|
Savigny, Heather; Schaap, Julian |
Putting the ‘studies’ back into metal music studies |
2018 |
Metal Music Studies |
4 |
549-557 |
|
|
|
Lee, Dennis William |
‘Negeri Seribu Bangsa’: Musical hybridization in contemporary Indonesian death metal |
2018 |
Metal Music Studies |
4 |
531-548 |
|
|
|
Nagy, Tamás |
Terms and identities: Forms of music related to national identity practices in blog posts of the Hungarian rock/metal discourse community |
2018 |
Metal Music Studies |
4 |
507-530 |
|
|
|
Herbst, Jan-Peter; Reuter, Christoph; Czedik-Eysenberg, Isabella |
Guitar profiling technology in metal music production: Public reception, capability, consequences and perspectives |
2018 |
Metal Music Studies |
4 |
481-506 |
|
|
|
Jones, Simon |
Kerrang! magazine and the representation of heavy metal masculinities (1981–95) |
2018 |
Metal Music Studies |
4 |
459-480 |
|
|
|
Hannan, Calder |
Difficulty as heaviness: Links between rhythmic difficulty and perceived heaviness in the music of Meshuggah and The Dillinger Escape Plan |
2018 |
Metal Music Studies |
4 |
433-458 |
|
