| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Guzman, Carmen |
Babymetal's “Music in Action”: Redefining Authenticity, Decolonizing Metal, Destabilizing Economy |
2021 |
|
|
|
|
|
|
Hagen, Katharina |
“If you want to learn the secrets, close your eyes”: Bruce Dickinson’s “Gates of Urizen” as a Contrary Version of The [First] Book of Urizen |
2021 |
Blake / an Illustrated Quarterly |
54 |
n.p. |
|
|
|
Hannan, Calder |
Ghostly longing: Tonality as grieving in Bell Witch’s “Mirror Reaper” |
2021 |
Metal Music Studies |
7 |
277-297 |
|
|
|
Hassan, Nedim |
Metal on Merseyside: Music Scenes, Community and Locality |
2021 |
|
|
|
|
|
|
Hazle, Dawn |
Delusions of Grandeur? Producing Authentic Metal Music in the Soviet Union |
2021 |
Multilingual Metal Music: sociocultural, linguistic and literary perspectives on heavy metal lyrics. |
|
185-199 |
|
|
|
Hecter, Pierre; Mattsson, Douglas |
The Enemy Within: Conceptualizing Turkish Metalheads as the Ideological “Other” |
2021 |
Living Metal: Metal Scenes around the World |
|
|
|
|
|
Hedge Olson, Benjamin |
Burzum shirts, paramilitarism and National Socialist Black Metal in the twenty-first century |
2021 |
Metal Music Studies |
7 |
27-42 |
|
|
|
Helden, Imke von |
Større enn tid, tyngre enn natt – The Interplay of Language and Cultural Identity in the Lyrics of Norwegian Metal Bands |
2021 |
Multilingual Metal Music: sociocultural, linguistic and literary perspectives on heavy metal lyrics. |
|
49-59 |
|
|
|
Herbst, Jan-Peter |
Culture-specific production and performance characteristics: An interview study with “Teutonic” metal producers |
2021 |
Metal Music Studies |
7 |
445-467 |
|
|
|
Herbst, Jan-Peter |
Nail the Mix: Standardization in Mixing Metal Music? |
2021 |
Popular Music and Society |
t.b.c. |
|
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