Author |
Title |
Year |
Publication |
Volume |
Pages |
Anesiadis, Alexandros; Scarpelos, Yiannis |
Heroes of the Metal Underground: The Definitive Guide to 1980s American Independent Metal Bands |
2023 |
|
|
|
Balíková, Nela |
Zpráva z mezinárodní konference Metal and Religion [Report from the Metal and Religion International Conference] |
2023 |
Sacra |
21 |
58-61 |
Banchs, Edward |
Ancient, Evil, and African: Heavy Metal and Conflict in East Africa |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
283-302 |
Banchs, Edward; Bardine, Bryan A.; Chilewska, Anna; Cintrón-Gutiérrez, Luis Javier; Hagen, Ross; Madera, Sheilla R.; Nelson, Bradley J.; Podoshen, Jeffrey; Purves, Robin; Ramos-Pibernus, Alixida; Shadrack, Jasmine Hazel; Scott, Niall W.R.; Varas-Díaz, Nelson; Venkatesh, Vivek; & Wallin, Jason |
On Extremity: From Music to Images, Words, and Experiences |
2023 |
|
|
290 |
Banchs, Edward; Tshomarelo “Vulture” Mosaka |
|
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
227-232 |
Barski, Kamil Sławomir |
Black metal jako kontynuacja romantyzmu? O figurze artysty i stosunku do natury jako korzeniach gatunku [Black metal as a continuation of romanticism? About the figure of the artist and the attitude to nature as the roots of the genre] |
2023 |
Świat i Słowo [World and Word] |
41 |
325-345 |
Batista, Marcelo R. |
United Forces: An Archive of Brazil's Raw Metal Attack, 1986-1991 |
2023 |
|
|
528 |
Burns, Lori |
Framing the Female Voice in Doom Metal: Formal and Sonic Elements in The Gathering’s “Strange Machines” (Mandylion, 1995) |
2023 |
Analyzing Recorded Music: Collected Perspectives |
|
323–338 |
Calvo, Manuela Belén |
Coloniality and Gender in the Argentinian Metal Scene: A Study Through Four Cases |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
163-186 |
Carey, Joshua |
Pure fucking art: Self-harm and performance art in Per ‘Dead’ Ohlin’s musical legacy |
2023 |
Metal Music Studies |
9 |
101-118 |