| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Coggins, Owen |
“A Maze with Very Minimal Guiding Light, Thematically Slithering Between Worlds”: Black Metal, Progressive Rock, and Ambivalent Constellations of Imagination in Remmirath’s Shambhala Vril Saucers |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
244-256 |
|
|
|
Coggins, Owen |
Ecology, Estrangement and Enchantment in Black Metal's Dark Haven |
2021 |
Green Letters. Studies in Ecocriticism |
t.b.c. |
|
|
|
|
Coggins, Owen |
Sarcastic Turbulence: Irony, Seriousness, and Ambiguity in Black Metal Music Culture |
2021 |
Isn't it Ironic? Irony in Contemporary Popular Culture |
|
|
|
|
|
Coggins, Owen |
Imaginaries of spirituality, violence and health impacts in metal music: A critical history and case study |
2019 |
Approaches: A Journal of Music Therapy |
11 |
134-149 |
|
|
|
Coggins, Owen |
Distortion, restriction and instability: Violence against the self in depressive suicidal black metal |
2019 |
Metal Music Studies |
5 |
401-418 |
|
|
|
Coggins, Owen |
Dirty, soothing, secret magic: individualism and spirituality in New Age and extreme metal music cultures |
2019 |
Popular Music; Cambridge |
38 |
|
|
|
|
Coggins, Owen |
Ritual Sacrifice in the Music and Noise of a Metal Festival |
2019 |
Riffs: Experimental Writing on Popular Music Studies |
3 |
85-109 |
|
|
|
Coggins, Owen |
Mysticism, ritual, and religion in drone metal |
2018 |
|
|
|
|
|
|
Coggins, Owen |
Evil I? Witchfinders and the magical power of ambiguity at stake in doom metal |
2018 |
Metal Music Studies |
4 |
309-328 |
|
|
|
Coggins, Owen |
The Invocation at Tilburg: Mysticism, Implicit Religion and Gravetemple’s Drone Metal |
2017 |
Religion and Media |
|
s.p. |
|
