| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Hannan, Calder |
I Don’t Hear It That Way: Temporal Parallax, Metal, and Music Theory’s “Listener” |
2026 |
Music Theory Spectrum |
t.b.c. |
mtaf015 |
|
|
|
Hannan, Calder |
Metal Guitar Techniques as Timbre, Form, and Speed |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
253-269 |
|
|
|
Hannan, Calder |
Ghostly longing: Tonality as grieving in Bell Witch’s “Mirror Reaper” |
2021 |
Metal Music Studies |
7 |
277-297 |
|
|
|
Hannan, Calder |
Difficulty as heaviness: Links between rhythmic difficulty and perceived heaviness in the music of Meshuggah and The Dillinger Escape Plan |
2018 |
Metal Music Studies |
4 |
433-458 |
|
|
|
Hannan, CalderCalder |
Structural Density and Clarity, Technical Death Metal, and Anomalous’s “Ohmnivalent” |
2022 |
Music Theory Online |
28 |
s.p. |
|
