| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Hudson, Stephen |
Metal Movements: Headbanging As A Legacy Of African American Dance |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
445-453 |
|
|
|
Hudson, Stephen S. |
A retrospective of “Running with the Devil” by Robert Walser |
2025 |
Metal Music Studies |
11 |
117-120 |
|
|
|
Hudson, Stephen S. |
Recognizing Tonal Momentum and Echoes of Past Styles in Riff Turnarounds |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
37-50 |
|
|
|
Hudson, Stephen S. |
Song form and storytelling in mainstream metal |
2023 |
Metal Music Studies |
9 |
7-26 |
|
|
|
Hudson, Stephen S. |
Bang Your Head: Construing Beat Through Familiar Drum Patterns in Metal Music |
2022 |
Music Theory Spectrum |
44 |
s.p. |
|
|
|
Hudson, Stephen S. |
Thirty-one years later: A review of Metallica’s “Black Album” and its legacy on alternative metal and alt-right politics |
2021 |
Metal Music Studies |
7 |
475-478 |
|
|
|
Hudson, Stephen S. |
Compound AABA Form and Style Distinction in Heavy Metal |
2021 |
Music Theory Online |
27 |
n.p. |
|
|
|
Hudson, Stephen S. |
Feeling Beats and Experiencing Motion: A Construction-based Theory of Meter |
2019 |
|
|
334 |
|
