| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Herbst, Jan-Peter; Mynett, Mark |
What Is “Heavy” in Metal? A Netnographic Analysis of Online Forums for Metal Musicians and Producers |
2022 |
Popular Music and Society |
t.b.c. |
t.b.c. |
|
|
|
Herbst, Jan-Peter; Mynett, Mark |
Toward a Systematic Understanding of “Heaviness” in Metal Music Production |
2022 |
Rock Music Studies |
t.b.c. |
|
|
|
|
Mynett, Mark |
Defining contemporary metal music: Performance, sounds and practices |
2019 |
Metal Music Studies |
5 |
297-313 |
|
|
|
Mynett, Mark |
Metal Music Manual: : Producing, Engineering, Mixing and Mastering Contemporary Heavy Music |
2017 |
|
|
|
|
|
|
Mynett, Mark |
The Distortion Paradox: Analysing Contemporary Metal Production |
2016 |
Global metal music and culture: current directions in metal studies |
|
68-88 |
|
|
|
Mynett, Mark |
Contemporary Metal Music Production |
2013 |
|
|
|
|
|
|
Mynett, Mark |
Sound at Source: The creative practice of re-heading, dampening and drum tuning for the contemporary metal genre |
2011 |
Journal on the Art of Record Production |
5 |
n.-p. |
|
|
|
Mynett, Mark; Wakefield, Jonathan; Till, Rupert |
Intelligent equalisation principles and techniques for minimising masking when mixing the extreme modern metal genre |
2010 |
Heavy fundametalisms: music, metal and politics |
|
141-146 |
|
