Scheller, J. (2024). Between the Laws: Researching the Aesthetics of Heavy Metal. In P. Pichler (Ed.), The Law of the Metal Scene: An Interdisciplinary Discussion (pp. 119–134). Stuttgart: Kohlhammer.
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Jiggens, R., & Shadrack, J. H. (2024). Fools Gather ’Round to Watch Me Bleed: Disability, Isolation, and Participation in Metal’s Communities of Aesthetic Practice. In K. Kahn-Harris, & J. H. Shadrack (Eds.), Heavy Metal and Disability. Crips, Crowds, and Cacophonies (pp. 38–51). Bristol: Intellect.
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Fessenden, J. W. (2024). Resonant Forms: Autistic Hearing and Heavy Metal Aesthetics. In K. Kahn-Harris, & J. H. Shadrack (Eds.), Heavy Metal and Disability. Crips, Crowds, and Cacophonies (pp. 23–37). Bristol: Intellect.
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Núñez, M. de la L. (2023). Las portadas de Yana Raymi como una expresión de neobarroco peruano: la resistencia gráfica de los guerreros wankas. UCOARTE. Revista De Teoría E Historia Del Arte, 12, 236–260.
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Soares Espindola, M. (2023). Heavy, Holy, and Homey: The Role of Religious Imagery in Heavy Metal Album Covers. Master's thesis, University of Alberta, Alberta.
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