Whalen, K. M. (2024). Goth Subculture, Neurodivergence, and the Dark Power of Changeling Narratives. In J. H. Shadrack, & K. Kahn-Harris (Eds.), Heavy Metal and Disability. Crips, Crowds, and Cacophonies (pp. 162–178). Bristol: Intellect.
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Varas-Díaz, N., & Nevárez Araújo, D. (2024). Dis/Abling Narratives of Indigenous Bodies through Decolonial Metal Music in Latin America. In K. Kahn-Harris, & J. H. Shadrack (Eds.), Heavy Metal and Disability. Crips, Crowds, and Cacophonies (pp. 140–161). Bristol: Intellect.
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States, D. (2024). The Bone Ballet: An Examination in the Intersectionality of Metal, Ballet, and Disability. In J. H. Shadrack, & K. Kahn-Harris (Eds.), Heavy Metal and Disability. Crips, Crowds, and Cacophonies (pp. 126–139). Bristol: Intellect.
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Squires, V. J. (2024). Stimming in the Pit: How Autistic Heavy Metal Fans Have Remained Unseen. In J. H. Shadrack, & K. Kahn-Harris (Eds.), Heavy Metal and Disability. Crips, Crowds, and Cacophonies (pp. 113–125). Bristol: Intellect.
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Smialek, E., & Bassler, S. (2024). Dis-ruptions: Heavy Metal Appropriations of Disability in Media. In K. Kahn-Harris, & J. H. Shadrack (Eds.), Heavy Metal and Disability. Crips, Crowds, and Cacophonies (pp. 95–112). Bristol: Intellect.
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