Cano Barrón, J. L., & Dulude, D. (2002). Banzai Records: The Power Of The Canadian Steel Blade. UnderFire Ediciones.
|
|
St. Laurent, M. - R. (2021). “Métal noir épique patriotique”: Analysis of historical, sociological and cultural discourses uniting metal noir québécois and Québec society. In B. A. Bardine, & J. Stueart (Eds.), Living Metal: Metal Scenes around the World. Bristol: Intellect Books.
|
|
Sloat, L. J. (1998). Incubus : Male Songwriters’ Portrayal of Women’s Sexuality in Pop Metal Music. In J. S. Epstein (Ed.), Youth culture: identity in a postmodern world (pp. 286–301). Malden: Blackwell.
|
|
Friesen, B. K., & Helfrich, W. (1998). Social Justice and Sexism for Adolescents: A Content Analysis of Lyrical hemes and Gender Presentations in Canadian Heavy Metal Music, 1985-1991. In J. S. Epstein (Ed.), Youth culture: identity in a postmodern world (pp. 263–285). Malden: Blackwell.
|
|
Ritts, M. J., & Greening, S. (2018). Gyitwaalkt: A Dialogue on Tsimshian War and Metal. BC Studies; Vancouver, (198).
|
|