Gregof, N. (2022). ALERTA, ALERTA, ALERTA QUE CAMINA. MUJERES FEMINISTAS POR AMÉRICA LATINA. Metal de Habla Hispana, 1, 118–121.
toggle visibility
González-Martínez, S. (2023). An Exegesis of Excess: Reverberations and Connotations of Feminisms Cartographed via Metal Music in the Global South. In D. Nevárez Araújo, N. Varas-Díaz, J. Wallach, & E. Clinton (Eds.), Defiant Sounds. Heavy Metal Music in the Global South (pp. 33–66). London: Lexington Books.
toggle visibility
Bahy, C., dos Passos, C., Khalia, L. M. G., & Barchi, R. (Eds.). (2021). Música Extrema. Ruídos, imagens e sentidos. São Paulo: Pimenta Cultural.
toggle visibility
González-Martínez, S. (2022). The didactic role of feminist art in metal music: Coven bands as a relational device for personal improvement and social justice. Metal Music Studies, 8(3), 401–421.
toggle visibility
Córdoba, J. (2021). Metaleras feministas (Feminist Metalheads). Bogotá, Distrito Capital, Republic of Colombia. Retrieved April 28, 2024, from https://metaltotheboneccmr.wordpress.com/2021/03/08/metaleras-feministas/
toggle visibility