Miranda Bonilla, S. (2022). TENSIONES NORTE-SUR EN LOS ESTUDIOS DE METAL. DISCURSOS COMO FORMA DE INTERVENCIÓN, VISIBILIZACIÓN Y DENUNCIA A PARTIR DE UNA GUERRA INTERMINABLE. Metal de Habla Hispana, 1, 105–107.
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González-Martínez, S. (2023). An Exegesis of Excess: Reverberations and Connotations of Feminisms Cartographed via Metal Music in the Global South. In D. Nevárez Araújo, N. Varas-Díaz, J. Wallach, & E. Clinton (Eds.), Defiant Sounds. Heavy Metal Music in the Global South (pp. 33–66). London: Lexington Books.
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Nevárez Araújo, D., Varas-Díaz, N., Wallach, J., & Clinton, E. (2023). Metal Music in the Distorted South: A Call for Defiance and Reflection. In Defiant Sounds. Heavy Metal Music in the Global South (pp. 9–30). London: Lexington Books.
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Nevárez Araújo, D., Varas-Díaz, N., Wallach, J., & Clinton, E. (2023). Introduction: Of “Metal” and Metal: A Global South Approach to Metal Studies. In Defiant Sounds. Heavy Metal Music in the Global South (pp. 1–6). London: Lexington Books.
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Varas-Díaz, N., Wallach, J., Clinton, E., & Nevárez Araújo, D. (Eds.). (2023). Defiant Sounds: Heavy Metal Music in the Global South. London: Lexington Books.
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