James, K. (2023). Policing Death. Indonesian Death Metal Music and Alleged or Apparent Criminality. In E. Peters (Ed.), Music in Crime, Resistance, and Identity (pp. 52–62). Abingdon & New York: Routledge.
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Wallach, J. (2023). REFORMASI-ERA POPULAR MUSIC STUDIES: Reflections of an Anti-Anti-Essentialist. In C. J. Miller, & A. McGraw (Eds.), Sounding Out the State of Indonesian Music (pp. 162–179). Ithaca: Cornell University Press.
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Rahadianto Sutopo, O., & Aryo Lukisworo, A. (2023). Nongkrong, Value of Community, and Everyday Resistance in the Indonesian Metal Scene. In D. Nevárez Araújo, N. Varas-Díaz, J. Wallach, & E. Clinton (Eds.), Defiant Sounds. Heavy Metal Music in the Global South (pp. 351–368). London: Lexington Books.
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James, K. E., & Walsh, R. J. (2022). Masculinity and underground music scene participation across time: A case study from Indonesia. Metal Music Studies, 8(1), 29–46.
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Wallach, J. (2003). “Goodbye My Blind Majesty”: Music, Language, and Politics in the Indonesian Underground. In H. M. Berger, & M. T. Carroll (Eds.), Global Pop, Local Language (pp. 53–86). Jackson: University Press of Mississippi.
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