Pikri, Z., & Muthmainnah, I. (2022). Perdebatan Kontemporer tentang Islam, Gender dan Musik: Analisis Wacana atas Band Hijabi Metal VOB (Voice of Baceprot) [Contemporary Debates on Islam, Gender and Music: Discourse Analysis of the Hijabi Metal Band VOB (Voice of Baceprot)]. Bachelor's thesis, Universitat Islan Negeri Antasari Banjarmasin, Banjarmasin.
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Eckerström, P. (2022). Extreme heavy metal and blasphemy in Iran: the case of Confess. Cont Islam, . Retrieved April 25, 2024, from http://dx.doi.org/https://doi.org/10.1007/s11562-022-00493-7
Abstract: Since the revolution in 1979, the Islamic Republic of Iran has imprisoned musicians, especially punk, hip-hop, and hard rock bands, as well as those playing heavy metal subgenres. Extreme heavy metal artists and fans emerged in the 1990s. The government soon targeted them as Satanists and began a systematic crackdown on metalheads. The metalcore band Confess is the most well-known case. The band was arrested in 2015 on counts of blasphemy, disturbing public opinion through the production of music, participating in interviews with the opposition media and propaganda against the Islamic Republic of Iran, among other charges. The majority of secular countries today do not consider extreme heavy metal to be transgressive. This is not the case in contexts where religious traditions have a significant influence on society. By analysing the narrative of the band Confess, the purpose of this paper is to provide an understanding of how Iranian extreme metal musicians resist religious oppression, challenge their government, religious precepts, and social values through their music.
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LeVine, M. (2022). We'll Play Till We Die: Journeys Across a Decade of Revolutionary Music in the Muslim World. University of California Press: Oakland.
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Levine, M. (2010). Rock the Casbah! i giovani musulmani e la cultura pop occidentale. Milano: Isbn.
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LeVine, M. (2014). Le metal dans les pays musulmans : cette jeunesse qui a contribué au Printemps arabe. Rosières-en-Haye: Camion Blanc.
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