Swist, J. (2022). “Wolves of the Krypteia”: Lycanthropy and right-wing extremism in metal’s reception of ancient Greece and Rome. Metal Music Studies, 8(3), 309–325.
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Robertson, W. (2022). Screaming of Slaughter and Samurai: Motives and Methods for Exploring Premodern Japan in the Japanese Folk Metal Scene. Parergon, 39(1), 79–104.
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Špoljarić, B. (2021). The Goat-God Motif in Heavy Metal Music: The Relevance and Meaning of the God Pan in the Black Metal Project – Arckanum. Studia Polensia, 10(1), 87–114.
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Coggins, O. (2017). A Spectre So Violent: Monstrous Logic and the Malevolent City in the Music of Skinny Puppy. In A. McGhee, & J. Lamperez (Eds.), Urban Monstrosities: Perversity and Upheaval in the Unreal City (pp. 108–127). Cambridge: Cambridge Scholars Press.
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Wojtala, M. (2020). Inspiracje II wojną światową w muzyce metalowej [Inspirations of the Second World War in metal music]. In J. Kosek (Ed.), Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] (pp. 212–225). Kraków: Wydawnictwo Naukowe Uniwersytetu Pedagogicznego.
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