Soares Espindola, M. (2023). Heavy, Holy, and Homey: The Role of Religious Imagery in Heavy Metal Album Covers. Master's thesis, University of Alberta, Alberta.
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Vrzal, M. (2022). Against the devil’s metal: Christian public discursive strategies against metal concerts and festivals in Czechia and Slovakia. Metal Music Studies, 8(2), 245–268.
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Coggins, O. (2017). The Invocation at Tilburg: Mysticism, Implicit Religion and Gravetemple’s Drone Metal. In D. L. Kirby, & C. M. Cusack (Eds.), Religion and Media (s.p.). London: Routledge.
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Coggins, O. (2015). The Invocation at Tilburg: Mysticism, Implicit Religion and Gravetemple’s Drone Metal. Journal of Implicit Religion, 18(2), 209–231.
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Miranda Bonilla, S. (2020). La teología como metáfora instrumental de la culturas del rock y el metal:paradigma postreligional y desmitologización. Estudios sobre las culturas contemporáneas, 26(52), 69–92.
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