| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Ables, Mollie |
Wild Side: Self-Styling and the Aesthetics of Metal in the Music Videos of Mötley Crüe |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
99-108 |
|
|
|
Annegg, Florian |
You can’t say it’s a style. It’s who you are.“ The Significance of Merchandise in the Metal Music Scene |
2018 |
|
|
|
|
|
|
Barratt, Claire |
Death Symbolism in Metal Jewellery: Circuits of Consumption from Subculture to the High Street |
2016 |
Global metal music and culture: current directions in metal studies |
|
227-244 |
|
|
|
Bartosch, Roman |
Poetik der Provokation. ”Metal Studies”, ästhetische Wertung und das Spiel mir Bedeutungen in den Songtexten von Hanzel und Gretyl, Cradle of Filth und Rammstein |
2015 |
(Un)Politischer Metal? Musikalische Artikulationen des Politischen zwischen Ideologie und Utopie |
|
59-76 |
|
|
|
Berg, Arild; Gulden, Tore; Hjort af Ornäs, Viktor; Pavel, Nenad; Sjøvoll, Vibeke |
The Metal T-Shirt: Transmedia Storytelling In Products |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
174-184 |
|
|
|
Blessin, Joseph R. |
Modalities of the avant-garde: the aesthetic role of light in the parallax of Alexander Scriabin’s opera ”Mysterium” and heavy metal performance |
2010 |
The metal void: first gatherings |
|
301-330 |
|
|
|
Bogue, Ronald |
Becoming Metal, Becoming Death |
2004 |
Deleuze’s Wake: Tributes and Tributaries |
|
83-108 |
|
|
|
Brown, Andy R. |
Rethinking the Subcultural Commodity : Exploring Heavy Metal T-Shirt Culture(s) |
2007 |
Youth Cultures: Scenes, Subcultures and Tribes |
|
63-78 |
|
|
|
Cardwell, Thomas |
Heavy Metal Armour: A Visual Study of Battle Jackets |
2022 |
|
|
|
|
|
|
Cardwell, Tom |
Battle jackets, authenticity and ‘material individuality’ |
2017 |
Metal Music Studies |
3 |
437-458 |
|
