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Anderton, C., & Goodge, P. (2025). Alone in the Crowd? Live Music Audiences and Individual Experience. Popular Music, First View, 1–15.
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Belén Calvo, M. (2022). La construcción de la identidad metálica auténcia en la escena argentina. In C. Bahy, C. dos Passos, L. M. G. Khalia, & R. Barchi (Eds.), Música Extrema: ruídos, imagens e sentidos (pp. 245–266). São Paulo: Pimenta Cultural.
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Bremer, M., & Cohnitz, D. (2007). Is It Still Metallica? On the Identity of Rock Bands Over Time. In W. Irwin (Ed.), Metallica and Philosophy: a crash course in brain surgery (pp. 183–196). Malden & Oxford: Blackwell.
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Calvo, M. B. (2024). El metal en Argentina: disputas espacio-temporales de una escena musical. DEBATS, 138(1), 77–91.
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Calvo, M. B. (2024). Metal Music in Argentina: Debates in Place and Time about a Music Scene. DEBATS, Annual review(9), 83–95.
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Carter, M. (2016). Perchten and krampusse: living mask traditions in austria and bavaria. Ph.D. thesis, University of Sheffield (United Kingdom), .
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Castillo Bernal, S. (2016). “Posers” y “trues”. Jóvenes, autenticidad y poder en la escena metalera mexicana. Cuicuilco Revista de Ciencias Antropológicas, 23(67), 99–126.
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Coggins, O. (2021). Sarcastic Turbulence: Irony, Seriousness, and Ambiguity in Black Metal Music Culture. In I. Kinane (Ed.), Isn't it Ironic? Irony in Contemporary Popular Culture. Abingdon & New York: Routledge.
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Draut, E. D. (2023). A Sonic Intervention into Authenticity and Black Metal. Master's thesis, Syracuse University, Syracuse.
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Driver, C. (2011). Embodying hardcore: rethinking ‘subcultural’ authenticities. Journal of Youth Studies, 14(8), 975–990.
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