| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Absentology |
Summoning the black flame. Trepaneringsritualen's music and absolute emptiness |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
148-159 |
|
|
|
Blake, Charlie |
Dronoclasm or the swarming of angels in endless night |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
10-14 |
|
|
|
Caron, J.-P. |
On the transcendental aesthetics of time stretching |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
128-138 |
|
|
|
Cascone, Kim |
Transcendigital imagination. Developing organs of subtle perception |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
28-35 |
|
|
|
Coggins, Owen |
Mysticism, ritual, and religion in drone metal |
2018 |
|
|
|
|
|
|
Coggins, Owen |
The Invocation at Tilburg: Mysticism, Implicit Religion and Gravetemple’s Drone Metal |
2017 |
Religion and Media |
|
s.p. |
|
|
|
Coggins, Owen |
Unstable Metaphors for the Inaccessible: Mysticism, Blackletter, Drone Metal |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
15-27 |
|
|
|
Coggins, Owen |
‘Record store guy’s head explodes and the critic is speechless!’ Questions of genre in drone metal |
2016 |
Metal Music Studies |
2 |
291-309 |
|
|
|
Coggins, Owen |
The Invocation at Tilburg: Mysticism, Implicit Religion and Gravetemple’s Drone Metal |
2015 |
Journal of Implicit Religion |
18 |
209-231 |
|
|
|
Coggins, Owen |
Experience, Practice, Writing: A Methodological Outline Of Drone Metal Research |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
354-365 |
|
