| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Núñez, María de la Luz |
Not all Bodies are Free to Express Themselves. A Brief Study of Growling from a Material, Measurable, and ‘Metal’ Symbolic Perspective |
2026 |
Women and Femme Voices in Metal Music, Culture, and Scholarship. Feminist Strategies of Resistance |
|
46-58 |
|
|
|
Smialek, Eric |
“All Shall Scream”: Transposable Lessons from Pierre-Luc Senécal’s Hate.Machine for Growlers Choir |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
309-326 |
|
|
|
Tsai, Chen-Gia; Wang, Li-Ching; Wang, Shwu-Fen; Shau, Yio-Wha; Hsiao, Tzu-Yu; Auhagen, Wolfgang |
Aggressiveness of the Growl-Like Timbre: Acoustic Characteristics, Musical Implications, and Biomechanical Mechanisms |
2010 |
Music Perception |
27 |
209-222 |
|
