| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
|
The stylistic history of heavy metal guitar |
2010 |
|
|
|
|
|
|
Brandl, Gregory |
Die Entwicklung und Bedeutung der E-Gitarre im Heavy Metal |
2010 |
|
|
|
|
|
|
Carew, Francis |
The Guitar Voice of Randy Rhoads |
2018 |
|
|
186 |
|
|
|
Ebert, Kevin |
But that doesn’t help me on guitar!: Unraveling the myth of the self-taught metal guitarist |
2017 |
Connecting metal to culture: unity in disparity |
|
|
|
|
|
Hannan, Calder |
Metal Guitar Techniques as Timbre, Form, and Speed |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
253-269 |
|
|
|
Jameson, Benjamin Thomas |
Negotiating the cross-cultural implications of the electric guitar in contemporary concert music |
2017 |
|
|
|
|
|
|
Kaban, Shvan |
The Evolution of the Bass Guitar in Metal Music: Its Function in Performance and Compositional Structure |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
270-286 |
|
|
|
Marrington, Mark |
Paradigms of Guitar Performance Practice and the Language of Metal Music |
2025 |
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production |
|
236-252 |
|
|
|
Waksman, Steve |
Into the Arena : Edward Van Halen and the Cultural Contradictions of the Guitar hero |
2001 |
Guitar cultures |
|
117-134 |
|
|
|
Waksman, Steve |
Instruments of desire: the electric guitar and the shaping of musical experience |
1999 |
|
|
|
|
